Product Description
114585BRE36 Features: Wear this pant anywhere, the soft, peach-finished nylon fabric resists water and stains, is super lightweight, and dries quickly If climbing is on the agenda, take ‘em with; denim-weight stitching, a diamond gusset for unrestricted mobility, and high-strength double layer knee panels make them ready for rough rock faces Pack ‘em for a trip, they’re wrinkle-resistant and still look good when you pull them out of your pack or suitcase Keep keys in the security zip cargo pocket, boarding pass pocket, or in the 2 back security zip pockets, carry extra cash in the coin pockets, stow extra gear on the tool loop Durable front button Specifications: Fabric: 100% nylon Inseam: 32 inches
Take Over Pant – Men’s Breen 36 by Ex Officio
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The “Golden Age” referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era’s musical landscape that even this 42-track, double-disc anthology can’t encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany’s of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock (”Over the Rainbow,” “Singin’ in the Rain,” “There’s No Business Like Show Business,” etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely “Puttin’ On the Ritz”; the sassy, 1948 original of “The Lady Is a Tramp” by Lena Horne; and a loopy duet of “Baby, It’s Cold Outside” by Esther Williams and Ricardo Montalban. Fred Astaire’s elegant, epochal reign at RKO and M-G-M is represented by “Night and Day,” “Let’s Face the Music and Dance,” and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It’s not perfect–Cagney’s “Yankee Doodle Boy” and/or some Sinatra seem more logical choices than the odd “bonus” duet of Casablanca’s “As Time Goes By” and “Lara’s Theme” from Dr. Zhivago that close out disc one–but it’s a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. –Jerry McCulley
Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
